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The keyboardists fight their way to the stage and recapture their frontman, escaping the throng and setting coordinates back to Italy. By this time, Jey has been beamed down to a stage and made to perform for a sea (get it?) of obsessed extraterrestrial fans, bobbing and weaving their webbed hands in unison to their favorite Terran anthem.
EIFFEL 65 BLUE DA BA DEE LIVE SERIES
Unclear of the captors’ intentions, keyboardists Maurizio Lobina and Gabry Ponte board their own spaceship and give chase, eventually docking with their craft and using a series of Street Fighter II-derived missile and extended-limb attacks to fight off waves of foot soldiers (guess what color they are!!?). Three stunningly goateed Italians use the opening stanza to introduce themselves to the world, rotating incoherently through space on robot-arm-mounted cathode ray tubes, before Jey is beamed up by a duo of body snatchers, his shuffling tearaways and bucket hat frozen mid-stride in the hull of a ship. But I was able to look past the poorly rendered polygons on my fourth viewing and discover a fish-out-of-water tale that Tim Burton would be proud to direct. I don’t know if it’s just me but I was so transfixed by the rough-hewn scenery of the “Blue” video that I had no idea what the fuck was going on the first three times I watched it. Three stunningly goateed Italians use the opening stanza to introduce themselves to the world